The impact of English dressing in America, the industrial boom, and the influence fashion witnessed on English and American civilization has been recorded over the course of century in terms of different literary devices.
Fashion in 19th century transatlantic literature has broadcasted the significance and development of fashion British author Charles dickens cites references regarding the importance of the female seamstress and the part she contributed in English society, and ideals covering femininity in one of his novels, Little Dorrit (Famine 55).
American Notes of Dickens still exhibit an obsession with both the American and English fashion, as he opined that the attire of American women. In Th Dark City, Leander Richardson holds a comparison between fashion trends in Boston and New York with those prevailed in London. He starizes the trends in American women to copy their British counterparts. All this dynamism of fashion gives shape to fashion in his works as a ‘transatlantic industrial market.
Godey’s Lady’s Book, the American Magazine, editor being Sara Joshua Hale links 19th century fashion as a manifestation of moral based values of the time. Her appreciation of Queen Victoria’s style of dress in 1968 unraveled her approach toward dressing of women exhibiting the English morality.
Early 20th Century
Over the course of early 20th century, all high class fashion practically appeared in Paris and to some extent in London as well. Fashion magazines published in other countries have been sending editors to the Paris fashion shows. Departmental stores had been sending buyers to the Paris shows, where they would buy garments to copy design or would readily plagiarize idea, or some times the whole design scheme.
Both kind of garments — measure-to-measure salons and ready-to-wear departments offered up-to-date trends of Paris — tailored to the expectations of stores pertaining to different lifestyles and target client’s pocket books.
With the advent of the 20th century fashion magazines began to depict photographs and assumed even more momentum than in the past. The metropolitan life all over the world much demanded these fine pieces of brochures as they would profoundly govern popular taste. Demonstrators, such as, Georges Lepape, Paul Iribe, George Barbier and Erte developed exotic fashion plates for such magazines as, La Gazette du bon ton, founded by Vogel in 1912, and published them periodically till 1925, excluding the years of the Great War.
Period between WWI and WWII
The time span between the great wars is believed to be the Golden Age of French fashion by most of the experts of the industry. It was an age of swift transformation, to better put, the reformation. As the age witnessed carriages replacing cars, monarchies dethroned, and ‘haute couture’ got new customers in the guise of movie personae, American heiresses and women of elite or industrialist class!